Showing posts with label 2-step. Show all posts
Showing posts with label 2-step. Show all posts

Tuesday, 14 May 2013

Single of the Week: Holden - "Renata" / Daphni Remix


I included the first single from James Holden's forthcoming album The Inheritors, "Gone Feral", on this month's edition of the ever-popular Culture Shock, so I suggest you go there if you missed that. This new one, "Renata" is instantly warmer than its predecessor, with its resonant bass tones playing underneath chippy arpeggiators and Holden's signature knocking percussion. It's a slow but sure builder, not unlike Jon Hopkins' recent "Open Eye Signal" (same place), reaching a satisfying plateau about half way through before playing around with jazz rhythm patterns before closing.
Daphni's remix is, for my money, an improvement on Holden's mix. Dan Snaith's approach is usually fun and here he isolates a five-note motif, giving it a similar jazzy percussive treatment but this time with more of a swing, helped along with some chopped up R&B vocal snippets (almost positively Aaliyah, but I don't have time to check, you know the one). This version is more careful to reach its crescendo but is no less effective. I like the way that once the track has appeared to finish, it restarts not once, nor twice, but thrice; paring it back to a progressively 2-step/garage feel each time.
Holden's new album The Inheritors is out on the 17th June on Border Community. The "Renata" single, backed with remixes by Daphni and Steve Moore, is out a week earlier on 10th June.



Tuesday, 19 February 2013

Single of the Week: Rainer Veil - Struck EP


In Rainer Veil, Manchester's Modern Love label has found a duo similar in sound to their big gun Andy Stott, whose Luxury Problems album found great success for all involved at the end of last year. It's still early days for Liam Morley and Dan Valentine - Struck is their first release together - but there seems to be a lot more going for them in the EP's 25 minute stretch than simple copycatism or capitalisation. Amongst its influences sit the cerebral tropics of Clams Casino's Rainforest EP, especially on the busy jungle (no pun intended) of the title track and the 2-step stretch "Wade In". Elsewhere "Slow Beaming" revels in soft, forceful bass and heavenly vocal samples. The seven minutes of "Bala" are perhaps the most Stott-like and seem to repeat ideas put to better use elsewhere on the EP, such as "Yield", but overall Struck is a very impressive debut for Rainer Veil and maintains a consistent hazy atmosphere against the grain of the heterogeneous nature of their ideas.




Rainer Veil - Wade In from Rainer Veil on Vimeo.