"Laura") is no different to these. The large, glistening, Cocteau Twins-like instrumental backing suits Khan's lyrical atmosphere perfectly. As she examines the notion of celebrity, contrasted with her own normality, you get the image of Khan's proximity to the sublime. "Marilyn" is a pretty track, but it's also substantial, and breathes deeply into the spaces that "Laura" found more effective to leave untouched.
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