Album of the Week: Chairlift - Something

Something may not be the most innovative album you hear this year, but Chairlift's second LP manages to find its own feet in the as-of-recent large crowd of indie music's 80's pop revivalist-sounding records. It's one of those albums that contains little to no weak songs; the singles "Amanaemonesia", "Sidewalk Safari", "Met Before" and "I Belong in Your Arms" stand strongly on their own, but there are arguably even better tracks found deeper into the album. The seasoned production team of Alan Moulder and Dan Carey ensure Something has one of the most important assets for an album of this nature: accessible, catchy indie-pop tunes that don't comromise on their lyrical content or attenion to detail. For someone who doesn't remember "Bruises" all that well, I may very well return to these songs throughout the year.

Single of the Week: Daniel Rossen - "Saint Nothing"

In March Daniel Rossen will release his debut solo EP Silent Hour / Golden Mile for Warp Records, which will surely be an appetising taster for the next full length album from his main band Grizzly Bear, the recording of which is reported to be underway.The first track to be released from the new EP is "Saint Nothing", a dark and meticulous piano ballad which combines the unique songwriting approach of Grizzly Bear's most recent records with the lo-fi recording style and adventurous soundscaping of Rossen's previous project, Department of Eagles. These elements give the track a quiet and intimate if unsettling feel: the horn-assisted undertones and Rossen's easily identifiable pale voice only coerce the listener deeper into its strange haven. A nice change of pace, and hopefully the whole EP and Grizzly Bear album bring more of the same in 2012.

Daniel Rossen - "Saint Nothing"


Similar tracks:
Bon Iver - "Holocene"
Radiohead - "Give Up the Ghost"
Oneohtrix Point Never - "Replica"

Album of the Week: Cloud Nothings - Attack on Memory

The second Cloud Nothings album can be called a successor to the band's self-titled debut in name only. By working together with legendary punk and hardcore 'engineer' Steve Albini, Dylan Baldi and crew completely overhauled their previously 'jangly' sound found on last year's Cloud Nothings in favour of a reverb-free 90's lo-fi indie aesthetic for Attack on Memory. In doing so they've created the first great album of 2012: during a 34 minute set Cloud Nothings wade their way through heavy, sludgy tracks ("No Sentiment", the Slint-like opener "No Future/No Past") and still make way for a few short poppier numbers along the way. Baldi's voice ranges between Rivers Cuomo and Kurt Cobain accordingly. All eight tracks feel immediate and catchy, and never come across as similar or repetitive. Stream the album and download three tracks below:



Cloud Nothings - *"No Future/No Past"
Cloud Nothings - *"Stay Useless"
Cloud Nothings - *"No Sentiment"

Single of the Week: The Shins - "Simple Song"

"Simple Song" comes as the first single to accompany the new album from indie rock heavyweights the Shins, Port of Morrow, set for release in March. Considering they've been officially away since 2007's Wincing the Night Away (frontman James Mercer found time to do Broken Bells with Danger Mouse), this new track sounds both fresh and impressively huge. After a Girls-like Hammond organ intro, "Simple Song" becomes a colourful anthem of guitar jangle and heartfelt vocals, recalling both Big Star and more recent established giants Arcade Fire. The layered guitars give the track its heroic quality: complex watery undertones backdrop huge power chords, and lead melodies find space between the vocals for additional delights. Nothing that hasn't been done before of course, but when a modern track sounds this good, it pays to be reminded all over again.



Similar tracks:
Girls - "Honey Bunny"
Real Estate - "Green Aisles"
Atlas Sound - "Mona Lisa"

on-Tenori-on's Most Anticipated Albums of 2012

Instead of Album of the Week, I'm listing my most anticipated albums and official mixtapes confirmed for release in 2012, in alphabetical order:

Ariel Pink's Haunted Graffiti - A Death in Hollywood
Best Coast - TBA
Big K.R.I.T. - Live from the Underground / 4Eva and a Day
Black Dice - Mr. Impossible
Black Star - Black Star Aretha
Cloud Nothings - Attack on Memory
Lana Del Rey - Born to Die
Dirty Projectors - TBA
Dirty Three - Toward the Low Sun
DOOMSTARKS - TBA
The Flaming Lips - TBA
Gonjasufi - MU.ZZ.LE
Grimes - Visions
Grizzly Bear - TBA
Guided By Voices - Class Clown Spots a UFO
Heems - Nehru Jackets
Kendrick Lamar - Good Kid in a Mad City
Lindstrøm - Six Cups of Rebel
Loops of Your Heart - And Never Ending Nights
Of Montreal - Paralytic Stalks
Major Lazer - TBA
MGMT - MGMT
Lee Ranaldo - Between the Times & the Tides
The Shins - Port of Morrow
Spiritualised  - Sweet Home Sweet Light
John Talabot - fIN
The xx - TBA
Zammuto - TBA

Tell me how good they were in 12 months.

Single of the Week: Grimes - "Genesis"

A return to the status quo, Single of the Week is back every Tuesday from now on, and Album of the Week will start again from a week on Friday. 
There have been a number of great tracks released during this first week of 2012, but following the announcement that Montreal's Grimes will be releasing her new album Visions on 4AD "Genesis" is the track I haven't been able to stop playing. Looking back at the dark electro-pop project of Claire Boucher so far there have been a number of releases under the name Grimes already: 2010 saw two album releases on the Canadian label Arbutus, as well as a split EP with d'Eon released last year ("Vanessa" alone makes my Tracks of 2011 list obselete already). Following this trajectory Grimes's songwriting has become much clearer and immediate, so if "Genesis" and previously released track *"Oblivion" are anything to go by, Visions going to be a very rewarding listen. Very excited for this one.



Similar tracks:
Austra - "Beat and the Pulse"
Zola Jesus - *"Vessel"
Purity Ring - "Belispeak"

on-Tenori-on's Top 15 EP's of 2011

A note on the year-end lists: These lists have taken me ages to do, which is part of the reason they arrive so late, but the main reason is that I didn't want to cut out a large amount of December's releases like many high-profile publications tend to do. I've learned to listen to releases more thouroghly next time so that I don't have to spend as long trying to remember how much I like or dislike something all at the end. Needless to say many tracks, EP's and albums I initially dismissed I've fallen in love with now that I've returned to them, and others I praised highly (including on this blog) have fallen a little out of favour with me. Everything listed has been officially released between 1st January and 31st December 2011. I'll probably never be able to properly decide on the exact order of my favourites; this is just how they stand as of right now, but if I've listed something, it means I think it's worthy of your attention. And of course these aren't my only favourites of 2011: there are many albums in particular that haven't made the list, but check back thrrough my blog posts to see what they are. Feedback is always appreciated, so if you don't agree with something being here, if you think I've ranked something too high or low, or if  something seems to be missing leave me some comments.Thanks to everyone that has helped me in this project, and my first year of music blogging, and to all the artists I've tagged and discussed thoughout the year, please support them by buying their music, going to their shows, etc. And spread the word.
Josh

These are the rules I used to qualify my top 15 EP's of 2011:

• Shorter than an album and longer than a single track. This goes without saying.
• Basically, if a release goes under the name of EP (i.e. ends with "EP" or officially released as such), it qualifies. For example #2 is an EP even though it is only 2 tracks long.
• Remix EP's qualify, although none have made it to the list.
• A single and any number of B-sides are only EP's if they are released as such.
• Free mixtapes are not EP's unless they are named so (e.g. #6).

And without further ado:

15. Colin Stetson - Those Who Didn't Run
14. Trash Talk - Awake
13. James Blake - Enough Thunder
12. Zomby - Nothing EP
11. Jens Lekman - An Argument With Myself
10. King Krule - King Krule
9. Kurt Vile - So Outta Reach
8. Dum Dum Girls - He Gets Me High
7. Toro Y Moi - Freaking Out EP
6. Black Milk and Danny Brown - Black and Brown EP
5. Burial - Street Halo EP
4. TV Girl - Benny and the Jetts

3. Clams Casino - Rainforest EP

The number of times I've peppered the tag "Clams Casino" throughout my too few blog posts surely testify to the reverance I have towards this guy. Released shortly after the Instrumental Mixtape, composed of the many beats made for Lil B, Soulja Boy, et al, Clams pursued the dense, cloudy production style in five solid new directions for the Rainforest EP. Released on Tri Angle Records, Rainforest fits right in with the beautiful, ethereal electronica of Holy Other and Balam Acab. And if you're unsure what my favourite track is, you might soon find out...

2. Nicolas Jaar - Don't Break My Love
 I reviewed this a few weeks ago. Read about it here. Instead I'll use this space to say how this EP has helped me rediscover Nicolas Jaar's debut album, Space Is Only Noise, after not quite "getting it" upon its release earlier in the year. Don't Break My Love is much more immedieate than its elder sibling; its two segnemts take their time to slowly build to form strange dancefloor manifestations. The kaleidoscopic shards that make up Space Is Only Noise work to form an organised whole. Don't Break My Love instead compresses the album's chopped vocal samples, feedback loops and clipped beats into utterly compelling modern electronica.

1. Hudson Mohawke - Satin Panthers

The most exciting EP of the year, Hudson Mohawke's Satin Panthers is brimming with more ideas than most full length albums you're likely to hear. A dizzying blend of past and future sounds bring a near-continuum of high after high; the enjoyment bought about by the number of things happening at once may only be rivalled by fellow Glaswegian Warp Records-signed Rustie (dream collaboration perhaps?), whose debut album Glass Swords was also released in 2011 (see below). HudMo seemingly accomplishes twice as much variety with Satin Panthers in less than half of Glass Swords' runtime. "Octan" starts things off with a 2-minute blast of rising and falling spacey synth textures, making room for "Thunder Bay", a rave/hip-hop mutation with strange synth-horn sounds. "Cbat" builds itself around a single chirpy phrase and grows as the drum patterns become more complex. On the other side, "All Your Love" couldn't sound more different: a highly-polished modern take of 90's rave and dancehall sped up way beyond what is necessary, and is just great fun. The final track "Thank You" serves as HudMo's victory lap, fusing everything incorporated so far: great drum programming, swirly, obnoxious synths and technicoloured Sega-esque charm. At less than 20 minutes, Satin Panthers is an essential sugar rush.

Click below for the rest of the 2011 year-end lists:
Top 100 Tracks of 2011
Top 50 Albums of 2011
Top 10 Music Videos of 2011

on-Tenori-on's Top 100 Tracks of 2011

These are the rules I used to qualify my top 100 tracks of 2011:

• One per artist. This is pretty much the only rule, and is also true for my albums list. The others just qualify this rule. Just so that I cangive the most coverage to artists I like really. Also makes it a bit simpler for me.
• Collaborative tracks and tracks by single artists are allowed if the artists are equally billed. I'm talking about #51 and #29.
• Feature spots are allowed an unlimited amount of times. Yes this list has a lot of Danny Brown. This isn't true for the artist for whom the track is mainly credited for however, it counts as their track.
• Also these are single tracks, regardless of whether it counts as an official single or just an album track. EP's have a seperate list, just in case you didn't notice.

Here we go:

100. Nas - "Nasty"
99. Unknown Mortal Orchestra - "Ffunny Frends"
98. Big Troubles - "Sad Girls"
97. Jens Lekman - "Waiting for Kirsten"
96. Zola Jesus - "Vessel"
95. Tom Waits - "Bad as Me"
94. Kreayshawn - "Gucci Gucci"
93. Thurston Moore - "Blood Never Lies"
92. Bon Iver - "Holocene"
91. Foster the People - "Pumped up Kicks"
90. A$AP Rocky - "Palace"
89. Little Dragon - "Nightlight"
88. Adele - "Someone Like You"
87. My Morning Jacket - "Circuital"
86. Terius Nash - "Wedding Crasher"
85. Washed Out - "Eyes Be Closed"
84. TV on the Radio - "You"
83. Atlas Sound - "Te Amo"
82. Azaelia Banks - "212"
81. Korallreven - "As Young As Yesterday"
80. Russian Circles - "Mlàdek"
79. Trash Talk - "Awake"
78. Kate Bush - "Wild Man"
77. Wilco - "I Might"
76. Mr. Muthafuckin eXquire - "The Last Huzzah feat. Despot, Das Racist, Danny Brown, EL-P"
75. Black Lips - "Spidey's Curse"
74. Jamie xx - "Far Nearer"
73. Youth Lagoon - "Afternoon"
72. Beastie Boys - "Make Some Noise"
71. The Antlers - "Parentheses"
70. Colin Stetson - "Judges"
69. Cut Copy - "Need You Now"
68. Beyoncé - "Countdown"
67. Tyler, the Creator - "Yonkers"
66. Lykke Li - "I Follow Rivers"
65. Jay-Z & Kanye West - "Murder to Excellence"
64. Africa Hitech - "Light the Way"
63. The Pains of Being Pure at Heart - "Heaven's Gonna Happen Now"
62. Drake - "Headlines"
61. Charli XCX - "Nuclear Seasons"
60. Metronomy - "The Bay"
59. Real Estate - "It's Real"
58. Fucked Up - "Turn the Season"
57. Dum Dum Girls - "Bedroom Eyes"
56. Jacques Greene - "Another Girl"
55. Burial - "Stolen Dog"

54. The Drums - "Money"
53. Toro Y Moi - "New Beat"
52. Kendrick Lamar - "Rigamortis Remix feat. Busta Rhymes"
51. Black Milk and Danny Brown - "Zap"
50. JEFF the Brotherhood - "Hey Friend"
49. King Krule - "The Noose of Jah City"
48. Josh T. Pearson - "Sweetheart I Ain't Your Christ"
47. Hudson Mohawke - "Thunder Bay"
46. Nicki Minaj - "Super Bass"
45. Girls - "Honey Bunny"
44. The Roots - "Make My feat. Big K.R.I.T."

43. Panda Bear - "Last Night at the Jetty"
42. The Go! Team - "Buy Nothing Day feat. Bethany Cosentino"
41. Julian Lynch - "Canopy"
40. Four Tet - "Pyramid"
39. Jai Paul - "BTSTU"
38. Gang Gang Dance - "Glass Jar"
37. Gotye - "Somebody That I Used to Know feat. Kimbra"
36. Shabazz Palaces - "Youlogy"
35. Radiohead - "Give Up the Ghost"
34. Oneohtrix Point Never - "Replica"
33. SBTRKT - "Pharaohs feat. Roses Gabor"

32. Twin Sister - "Kimmi in a Rice Field"
31. Chelsea Wolfe - "Mer"
30. Rustie - "Ultra Thizz"
29. Danny Brown - "Monopoly"
28. TV Girl - "Benny and the Jetts"
27. Nicolas Jaar - "Space Is Only Noise if You Can See"
26. Cass McCombs - "County Line"
25. PJ Harvey - "The Words That Maketh Murder"
24. Kurt Vile - "Jesus Fever"
23. Yuck - "Get Away"
22. St. Vincent - "Surgeon"

21. Feist - "The Bad in Each Other"
20. The War on Drugs - "Baby Missiles"
19. The Rapture - "How Deep is Your Love?"
18. The Field - "Is This Power"
17. Iceage - "You're Blessed"
16. tUnE-yArDs - "Bizness"
15. Austra - "The Beast"
14. Fleet Foxes - "Grown Ocean"
13. The Strokes - "Under Cover of Darkness"
12. Thee Oh Sees - "Stinking Cloud"
11. James Blake - "The Wilhelm Scream"

10. Destroyer - "Kaputt"
"Wasting your days, chasing some girls - alright chasing cocaine, through the backrooms of the world all night", utters Dan Bejar's breathy voice. There are fewer opening lines that are both immediately striking and memorable, and place the listener straight into a certain part of musical history. The title track to Destroyer's Kaputt is a definite high point of the album, a 6-minute adventure through layers of saxophone and soft-rock guitar of early 80's radio. The atention to detail is fantastic: the synth patterns and the female backing vocals each help to create something wistful and forlorn.

9. The Horrors - "Still Life"
Less of a New Romantic revivalist throwback, more of an expertly crafted psychadelic gem. "Still Life" takes time to bring in its component instruments one at a time, beginning with backwards guitar, then drums, bass, keyboards and eventually erupts into colour when Faris Badwan's vocal leads the chorus. Eveything seems to be timed just right and on cue, and feels much too organic to be wooden. The catharsis of this chorus, joined by horns, seems well-earned for both the listener and the Horrors' frontman. "The moment that you want is coming if you give it time".

8. Death Grips - "Beware"
Even the opening interview segment from Charles Manson offers no warning for the terror in store. The opening track to Death Grips' debut album Exmilitary, "Beware" means exactly what you might think. If you can't take the sludgiest of beats (courtesy of Hella's Zach Hil), driving buried, monotonous guitar drones, underpinning MC Ride shouting a truly satanic mantra: "I close my eyes and seize it./ I clench my fists and beat it./ I light my torch and burn it./ I am the beast I worship", then you're not going to get on very well with the rest of the album. You have been warned...

7. Battles - "Ice Cream feat. Matias Aguayo"
Who would have thought that following last year's departure of vocalist and key member Tyondai Braxton, Battles would announce their return with one of the quirkiest pop tunes of 2011? "Ice Cream" is certainly different, even by Battles' standards. The jolly, cutesy, innocent keyboard lines and monstrous drumming of John Stanier that work throughout the band's second album Gloss Drop to create extended, intricate jams instead follow a typical verse-chorus structure, complete with guest vocalist Matias Aguayo's demented babblings.

6. Holy Ghost! - "Wait and See"
I've praised Holy Ghost! in the past for being an excellent singles band. "Wait and See" is what I meant by that. If the duo were under pressure by DFA Records to carry the mantle after the unfortunate departure of the much-loved LCD Soundsystem, it was because of their genuine talent to create meaningful, authentic synth-pop tunes that celebrate their influences as much as they indulge in them (and allow others to indulge). Even above the rest of the fantastic year Holy Ghost! had: working with Michael McDonald, covering Ministry, it's that hook that kills it every single time.

5. Big K.R.I.T. - "Dreamin'"
One of Big K.R.I.T.'s main selling points is the way in which he breathes new life into classic southern hip-hop, in both his lyrics and production style. As a result many hailed his 2011 mixtape Return of 4Eva as an instant classic. With "Dreamin'" K.R.I.T. documents his rise to success with real earnesty and conviction; and in doing so shows a side to southern hip-hop that is rarely seen. Hidden under vinyl crackle is the most simplistic of beats,soulful vocals and guitar, yet the whole experience feels simultaneously cinematic and sincere, as  K.R.I.T. addresses reputation, his religion and the measure of success.

4. Clams Casino - "Gorilla"
The final track of my third favourite EP of 2011, "Gorilla" sounds immense. Right from the beginning, a relentless march of cymbal crashes lead an army of deep, disembodied voices. Tension builds and falls as bass pulses carry the beat's momentum. Ultimately "Gorilla" may not be as different to some of the material on Clams' Instrumental Mixtape as other Rainforest tracks such as "Treetop" and "Natural" may be, but in other ways it's miles ahead: much too dense for a rapper or vocalist, it strikes a balance between the two releases, and sets a new standard for instrumental hip-hop.

3. Lana Del Rey - "Video Games"
It's really hard for me to come up with something to say that hasn't been written about this song, or to justify why I've placed it so highly, but I will try. None of the negative talk or the LDR hating can deny that we're in the transitional phase of a pop star being born. Regardless of any career decisions before or after Lizzy Grant's official debut single as Lana Del Rey, the song alone is a breathtaking, singular statement that we may only hope can be sustained throughout her debut album when it is released next month. "Video Games" is a beauty, that could exist during any point of the last 80 years.

2. The Weeknd - "House of Balloons/Glass Table Girls"
From the first (of three) mixtapes the Weeknd put of during 2011, there have been few tracks that have matched the qualiy of "House of Balloons/Glass Table Girls". Split into two halves, the focus of Abel Tesfaye's sharp lyricism brings the setting to within the party for a change, rather than before or after. The forced smiles for the decadence sex and drugs come through his aching voice, over the ironic "Happy House" sample. Through his storytelling and delivery, Tesfaye is able to make the most exciting of hedonistic temptations come across as grotesque.

1. M83 - "Midnight City"

After constantly revising the choices for the number one spot for the top 100 tracks of 2011, it became almost too obvious as to which track was going to win the crown. M83 have experimented with each album to portray Anthony Gonzalez's interpretation of a perfect pop song, and "Midnight City" is as close as he has ever come to manage the feat. Gonzalez claimed earlier this year that his new album Hurry Up, We're Dreaming was inspired to be the soundtrack to childhood, just as his previous album, 2008's Saturdays=Youth was an attempt to rekindle adolescence. As a result the track has both a fresh immediacy of an MGMT tune and evokes a worthy nostalgic quality through its shoegazey qualities; the kind of tune that could have appeared at any time in your life but is permanently lodged there after first listen. The lyrics are few, and not instantly noticeable: they paint a night time scene, a "ride in the dark" from a backseat vehicle, bringing back the magic to the simply mundane. The song closes with an unexpected but well-timed sax solo (and a closer look through this list shows that 2011 has had many of those), which only makes the fading out of the track more triumphant and euphoric. A new career high for M83; it's questionable whether anyone will be able to get this combination as right as this ever again.



Click below for the rest of the 2011 year-end lists:
Top 15 EP's of 2011
Top 50 Albums of 2011
Top 10 Music Videos of 2011

on-Tenori-on's Top 50 Albums of 2011

These are the rules I used to qualify my top 50 albums of 2011:

• One per artist, as in the tracks list. Fortunately there were quite a few this year who decided to release more than one album.
• EP's do not count under any circumstances.
• Official mixtapes qualify, provided they aren't classed as EP's.
• Reissued albums, compilations and boxsets will also not be considered. Otherwise The SMiLE Sessions would probably be #1, and that hardly seems fair.
• Live albums and live mixes do count, but I tend not to listen to them, hence why they aren't here. You'll have to find them elsewhere.
• The top 10 albums on the list get an honourary 10/10 from me, now that the year's out.

It's time...

50. Holy Ghost! - Holy Ghost!
49. Thundercat - The Golden Age of Apocalypse
48. Russian Circles - Empros
47. Twin Sister - In Heaven
46. Frank Ocean - Nostalgia, Ultra
45. Radiohead - The King of Limbs
44. Africa Hitech - 93 Million Miles
43. Thurston Moore - Demolished Thoughts
42. Oneohtrix Point Never - Replica
41. The Antlers - Burst Apart
40. Chelsea Wolfe - Ἀποκάλυψις
39. Little Dragon - Ritual Union
38. Tom Waits - Bad as Me
37. Danny Brown - XXX
36. Atlas Sound - Parallax
35. Colin Stetson - New History Warfare Vol. 2: Judges
34. Fucked Up - David Comes to Life
33. The Horrors - Skying

32. TV on the Radio - Nine Types of Light
31. Rustie - Glass Swords
30. Julian Lynch - Terra
29. Gang Gang Dance - Eye Contact
28. Bon Iver - Bon Iver, Bon Iver
27. Clams Casino - Instrumental Mixtape
26. The Rapture - In the Grace of Your Love
25. Kendrick Lamar - Section.80
24. Beyoncé - 4
23. Shabazz Palaces - Black Up
22. Battles - Gloss Drop

21. The Pains of Being Pure at Heart - Belong
20. Nicolas Jaar - Space Is Only Noise
19. Big K.R.I.T. - Return of 4Eva
18. M83 - Hurry Up, We're Dreaming
17. Balam Acab - WANDER / WONDER
16. Girls - Father, Son, Holy Ghost
15. The Field - Looping State of Mind
14. Austra - Feel it Break
13. Iceage - New Brigade
12. Kurt Vile - Smoke Ring for My Halo
11. Thee Oh Sees - Castlemania

10. The Roots - undun
An extremely slick concept album documenting the life of fictional character Redford Stephens, the Roots' 13th studio album undun became 2011's last-minute surprise when it was released earlier in December. The Roots' usual blend of neo-soul hip-hop dominates the album, but every song hits its mark, and plays a valuable part to the bigger picture. Sufjan Stevens is enlisted to play out the incredibly moving coda, with his own "Redford". ?uestlove has called undun the album he has  always wanted to make, and the best Roots album so far. From what's on offer it's really tough to disagree with him.

9. SBTRKT - SBTRKT
SBTRKT's debut plays out like a dedication to the last 20 years of UK bass music, filtered through his contemporary "post-dubstep" production style. Whether the music is flavoured with nods to early house ("Pharaohs"), or dark garage ("Right Thing to Do"), the roster of fantastic vocalists under SBTRKT's employment mean that every track feels right on the edge of modern British electronica and dance. Little Dragon's Yukimi Nagano, Roses Gabor and Jessie Ware form the female half of the album, but Sampha's high notes are the most infectious of all, perfectly married to SBTRKT's beats. An extremely strong debut set.

8. Destroyer - Kaputt
A very stylish album, Dan Bejar's Destroyer had a very clear artistic direction for Kaputt. Bejar is often likened to David Bowie; if this is the case Kaputt is Young Americans, a set of meticulously arranged, woodwind-orientated, poetic songs. The feeling of romanticism sweeps through the set, usually causing feelings of sadness and loss. Bejar takes the jazzier side to 80's soft rock with extended instrumental segments, bringing indie rock more "full circle" than ever before. But it's as a lyricist where Bejar excels, breaking your heart through his melted voice.

7. tUnE-yArDs - w h o k i l l
An album that is as philosophical as it is sonically chaotic is hard to come by, and harder still to take seriously. The second tUnE-yArDs LP w h o k i l l is able to manage however, with Merrill Garbus's world music-leaning rhythm and vocal loops expressing postmodern attitudes towards issues of gender, race and violence, and sometimes completely smashing into them. The whole experience is both exhilarating and confusing, and very hard to put down in terms of classification, but stands as a reflection of our modern times: colourful yet irritating, familiar yet deceptive. With w h o k i l l Garbus presents us with today's ever changing face of human nature, in its boldest form.

6. The Weeknd - House of Balloons

The fact that the remainder of 2011 following House of Balloons saw Drake trying his hardest to successfully imitate his protégé The Weeknd's style speaks volumes of the the golden internet age of music discovery. The first Weeknd mixtape gathered the most hype in such a short space of time because of the conventions it seemed to break in bringing R&B a classier, more artistic end of a spectrum. And it was so fully formed right from the beginning to bring about this artistic change: fantastic production, a mysterious singer, and disturbing, masochistic tales that felt strangely relateable.

5. PJ Harvey - Let England Shake
PJ Harvey has a reputation for reinventing herself with every album, and Let England Shake provides her listeners with one of her most consistent messages yet. An historical tribute to her home country, the album is a tight set of songs that serve as a particular temporal statement of the state of England in 2011, and in relation to the rest of the world. The choir of male voices, disillusioned bugles and the ethereal autoharp set the scene for the Great War storytelling, extended metaphors that serve as political foreshadowing to the backdrop of the events of 2011 and, what seems to be the unfortunate case, beyond.

4. Fleet Foxes - Helplessness Blues
There are no shortage of reasons as to why Fleet Foxes second album Helplessness Blues ought to be looked back upon as one of 2011's greats. A timeless set of songs that mature with every listen, Robin Pecknold's chamber-folk collective build upon their ambitious 2008 debut and offer a more varied sequel, stretching the boundaries of their unique blend of sounds. Pecknold questions the universe and one person's impact upon it; at times melancholic and others triumphant. Helplessness Blues is a whirlwind of emotions, and brings back into focus questions that have troubled the people of the earth for years.

3. St. Vincent - Strange Mercy
Perhaps above all else, one thing Strange Mercy proves is that Annie Clark is one heck of a guitar player. The instrument often sounds ferocious as off -balance phrases bolt out from under her fingertips, and leads a swirling mixture of swelling strings and magical-sounding synths. This art-pop brew serves to demonstrate the extent of how far indie rock has travelled from its roots in hardcore punk and post-punk. Clark's vocals are ever-present, and in equal measures as firey as her guitar lines, and as breathtaking as the synthetic mix. The songs of Strange Mercy are at times unnerving, but always strong and truthful.

2. James Blake - James Blake
As stale the hype for new artists may sometimes be, it's also refreshing for such an artist to meet and even surpass expectations their promising previous work was hinting towards. Following James Blake through 2010 to the start of 2011 was such an experience. Blake took an unexpected and ambitious turn when he released his self-titled debut: the amount of space on the album might force you to demand half your money back, if it wasn't for the fact that his tracks resemble traditional singer-songwriter tunes with a cavernous dubstep aesthetic much more than they do the work of an expert producer. Uniquely Blake is both.

1. Death Grips - Exmilitary

For many, 2011 in music began with the spotlight on a young MC called Tyler, the Creator and his collective Odd Future Wolf Gang Kill Them All, whose single "Yonkers" promised to bring forward a new interest in horrorcore and shock-rap. I choose to end 2011 with a sorely overlooked mixtape that did much more to genuinely shock and terrify than Tyler's disappointing Goblin had managed (though I will give it an honourable mention). Even at this stage there is little known about the Death Grips project, except it a collaboration of a rapper known as MC Ride and Zach Hill, who is most famous as the insanely technical drummer of the math-rock duo Hella. Ride has a voice similar in tone to the Wu-Tang Clan's RZA, except he chooses to shout and scream for virtually the entire album, almost to the point of parody and self-parody. The urgency with which he does so makes every lyric as compelling as the last; Exmilitary's lines run like a modern day Inferno or Paradise Lost, and are worth reading just by themself. Instrumentally it feels very much like the same beast; the body to Ride's tounge. Even more experimental than Shabazz Palaces debut album Black Up, which turned up later in the year, Exmilitary uses Hill's hardcore punk and industrial influences searingly. Many of the tracks use electronic noises also: traces of techno, jungle and IDM are spliced into the album's centre especially. And samples as diverse as Link Wray and The Crazy World of Arthur Brown fall somewhere in between, dropped unexpectedly into the stormiest of moments, perhaps as a part of its twisted humour. A unique and unflinching (and free) album, the scariest element of Exmilitary is its ability to makeits listener feel pumped, as if it's relentlessness is pounding through to the brain and controlling the body from within, to become the beast you worship...

Death Grips - Exmilitary by deathgrips

Click below for the rest of the 2011 year-end lists:
Top 15 EP's of 2011
Top 100 Tracks of 2011
Top 10 Music Videos of 2011

on-Tenori-on's Top 10 Music Videos of 2011

This I threw together at the last minute, so no explnations given unfortunately. However a picture paints a thousand words, and these are moving pictures...

10. The Black Keys - "Lonely Boy"



9. Times New Viking - "No Room to Live"



8. Is Tropical - "The Greeks"



7. Destroyer - "Kaputt"



6. Fleet Foxes - "The Shrine / An Argument"

5. St. Vincent - "Cruel"

4. Beyoncé - "Countdown"

3. Radiohead - "Lotus Flower"



2. Das Racist - "Michael Jackson"



1. Tyler, the Creator - "Yonkers"



Click below for the rest of the 2011 year-end lists:
Top 15 EP's of 2011
Top 100 Tracks of 2011
Top 50 Albums of 2011

Album of the Week: Drake - Take Care

I know, hardly surprising. To my credit my internet speed has limited my choice somewhat. Drake hardly needs any introduction: Toronto rapper plus R&B singer who made a name for himself largely on the popularity of his first album Thank Me Later. His follow-up album Take Care sees the light of day after the continuous leaking of singles, that hardly remove a sense of scope from the 18-track, 80 minute album. Drake's improvement as both a singer and a rapper can probably be best observed when compared to his collaborators, both outrapping Lil Wayne and holding his own against the other great R&B artist of 2011, the Weeknd. Not just a lot of care but also money has gone into the production of this album. Drake reunites with previous producers Noah "40" Shebib and Boi-1DA, but equal highlights go to Just Blaze and Jamie xx's beats. Despite its length Take Care has some of the year's best chart singles either out already or soon to be released. It's probably safe to say Drake's made it by now.




Take Care by Drake is out now on Cash Money/Universal Republic/Young Money Entertainment.

Single of the Week: Nicolas Jaar - Don't Break My Love EP

It took me a while to bring myself to listen to the new Nicolas Jaar 2-track EP, simply because after hearing Jaar's debut Space is Only Noise only twice through when it was released at the start of the year I didn't get what the fuss was about. Needless to say that album is due for a timely revisit (after all December's coming soon and we all know what that means). I've barely been able to help myself from playing "Don't Break My Love" and its b-side "Why Didn't You Save Me" over the last few days. True, they both play the same kind of tricks, by layering intricate Aphex Twin-like drum patterns over meandering synthetic melodies, and dissolving into silence before conquering with an infectious vocal hook. Still when they're executed in such a way it's tough not to admire. Admire and repeat. James Blake fans ought to pay attention. I'm really hoping for a 12" release of this single. Badly.

NICOLAS JAAR / Don't break my love EP by Clown & Sunset

Don't Break My Love by Nicolas Jaar is availlable for free download now, courtesy of Clown & Sunset.

Album of the Week: Russian Circles - Empros

If I'm being honest, this new Rusian Circles LP, Empros, has been the only metal album I've properly enjoyed this year. In fact this is the first metal post on this blog. Empros, Chicago post-metal trio Russian Circles' fourth studio release is a 45 minute, six track titan of a record. There's a real sense of interplay between the three musicians, especially the rythm section of Brian Cook and Dave Turncrantz. As a result the loud and quiet moments (there are often several per track) sound equally dynamic and compelling, and at times adventurous and beautiful. A must for metal fans, as well as fans of post-rock and other instrumental music.


*Russian Circles - "Mlàdek"

 Empros by Russian Circles is out now via Sargeant House

Single of the Week: A$AP Rocky - "Bass"

A$AP Rocky's mixtape LiveLoveA$AP is on the tip of many people's tounges as of five minutes ago, and although not an entirely compelling listen for one blogger there are some pretty great standouts nonetheless. To me this mixtape's greatest asset is in the beats and beatmakers Rocky chose to work with. Regulars may be aware of my appreciation of up-and-comer Clams Casino's previous releases this year, and with "Bass" he has suitably altered his hazy, intoxicating trademmark style to make room for Rocky's verses. In future 2011 may be seen as a great year for hip-hop; A$AP Rocky and Clams Casino will be two names at the top of the list of artists that will prove it to be so.

A$AP Rocky - "Bass"



"Bass" features on A$AP Rocky's LiveLoveA$AP mixtape, download it for free here.

Album of the Week: Atlas Sound - Parallax

As I mentioned on Tuesday, this week has been kind to new releases so it was hard for me to come up with a 'winner' for this week. Hopefully my fanboyism of both Bradford Cox's Atlas Sound project and his band Deerhunter haven't influenced the decision too much. Cox has been gradually releasing Parallax tracks over the last few months, but this hasn't distracted from hearing the finished article. The album is made up of mostly quiet yet potent songs: here Cox uses multiple layers of both acoustic and electric guitars, sparse percussion and of course reverberated vocals to create what he himself usually describes as "ambient punk". Cox's idol Scott Walker's influence is clearly felt, but so are the voices of Peter Gabriel ("Te Amo"), Conor Oberst ("Mona Lisa", warmly greeted from its appearance on last year's Bedroom Databank series) and Lou Reed ("Lightworks"). Simply put, Cox is one of the best songwriters around, and Parallax only strengthens that claim.

Parallax is released on 7th November via 4AD. Visit the Parallax website here to stream and download "Terra Incognita". Even if you don't want the track check out the website anyway. I thought it was pretty cool.

Single of the Week: El-P - "Rush Over BKLYN"

We are currently undergoing the resurgence of El-P. This is a good thing. The ex-Company Flow member has enjoyed recent guest spots on releases by the likes of Das Racist and Mr. Muthafuckin' eXquire, and looks to release a new solo record, Cancer for Cure, sometime next year. In August he released the first single from that album, "drones over BKLYN", via Adult Swim's singles program. Now, using the new sample-clearing service Legitmix, El-P provides his own remix of the track entitled "Rush Over BKLYN", incorporating a sample of 70's prog giants Rush's "Tom Sawyer". Makes me think that DJ Shadow ought to have called El for his latest album with the prog-metal sounds he was using on his recent album. Next year can't come soon enough.

RUSH OVER BKLYN by PRODUCTOMART

All proceeds from the sales of "Rush Over BKLYN" go towards a fund to benefit DJ Mr. Dibbs, currently suffering from liver disease. You can purchase the track here.

Here's the original, "drones over BKLYN":



Sorry I missed Album of the Week last Friday, had stuff on. Tom Waits' Bad as Me if you're interested. Won't happen this week, there's too many good releases right now.

Single of the Week: King Krule - "The Noose of Jah City"

Previously releasing material under the psudeonym Zoo Kid, King Krule, aka 17-year-old bedroom producer Archy Marshall will release his first EP via True Panther on 8th November. The EP's closing track, "The Noose of Jah City" showcases the deepness of Marshall's socially conscious baritone, quiet yet potent amongst sparse guitar work and a garagey hip-hop breakbeat. The vocals, covered in echo and reverb effects, compliment rather than obscure their lyrics and Marshall's knack for songwriting, and heighten a sense of isolation and uncertainty. Just as the vocals re-emerge after the instrumental break, the song abruptly ends, adding to the "one more listen" factor. Hopefully the EP as a whole will induce that similar feeling when its released.

King Krule- The Noose of Jah City by truepanther


"The Noose of Jah City" will feature on King Krule, which will be released on 8th November via True Panther.

Album of the Week: Veronica Falls - Veronica Falls

With the release of The Pains of Being Pure at Heart's excellent follow-up LP Belong earlier this year, many bands dabbling in the same kind of British C86-influenced indie-pop may be overshadowed. Fellow Slumberland Records comrades Veronica Falls avoid this pitfall with the release of their debut album - constructed from songs recorded and released from 2009 onwards - by adding a very macabre, quietly potent flavour to their songwriting, delivered by the girl/boy vocal duo Roxanne Clifford and James Hoare. These songs are always quiet and melodic (reminiscent of Galaxie 500), drawing the listener even deeper into their often sinister narratives, be they of a lover's jealousy ("Wedding Day") or suicide ("Beachy Head"). It isn't until the final track "Come on Over" that any kind of resolution is found. Quite a different take on a popular style right now; if you enjoyed the likes of the Pains, Yuck and possibly Girls this may be worth investigating.

Veronica Falls LP sampler by Slumberland Records

Veronica Falls is out now on Slumberland Records/Bella Union

Single of the Week: Oneohtrix Point Never - "Replica"

This is another new feature, the sister to my new Album of the Week feature I began last Friday. I'll try to go over the track in as much detail in as little time as possible. I'm using the term "single" to refer to any new track including album tracks not scheduled for individual release, but I may also use this space to talk about tracks with b-sides and even EP's depending on what I think is worth mentioning.

 A very Gothic piano loop forms the basis of the title track to the new Oneohtrix Point Never album, due 8th November. Replica is actually the fifth of Daniel Lopatin's albums under the OPN guise, who is also one half of synth-pop duo Ford and Lopatin, but it's fortunately clear he's sitting on potentially one of his best releases yet. The harrowing synth drones play backup on "Replica", instead of drowning out the forefront as in past OPN releases, and likely owes something to the "Returnal" remix featuring Antony Hegarty released last year. The most beautiful part may just be at around 1:30 when a rumbling bass synth shadows over the mix and grinds the track to a momentary standstill, only for the piano to rejoin a split second later. The video of slowed stock cartoon images capture the strange atmosphere surprisingly well. Many Oneohtrix Point Never tracks need to be twice as long to capture their sentiments, but "Replica" does it more or less straight off the bat.

Oneohtrix Point Never - "Replica":



Here's another track from Replica, "Sleep Dealer":


Replica by Oneohtrix Point Never is released 8/11/11 via Software/Mexican Summer.

Album of the Week: M83 - Hurry Up, We're Dreaming

Yeah I'm doing this now, instead of bringing back the Mini Review series. Now I will be updating at least twice per week: every Friday for my Album of the Week; and starting next week every Tuesday for my Single of the Week. Helps me out a bit.

And what better album to begin the series with than the new M83 double concept LP, Hurry Up, We're Dreaming? Sole member Anthony Gonzalez follows the hugely successful Saturdays=Youth with an album even more ambitious, anthemic and enchanting, which despite it's length never feels tired or out of ideas (honestly it could probably all fit onto a single CD). The breathtaking, Zola Jesus-assissted "Intro" is just the beginning. Many tracks encapsulate a childlike wonder, with electronic harkenings as sporadic as Brian Eno's ambience, Animal Collective's reverb-laden fervour, and the Books' universal musings. Many tracks, such as the first single "Midnight City", herald an 80's synth radio sound, yet Gonzalez's approach feels entirely contemporary, with an ever-greater expanded lineup of instrumentation than ever: strings, the leftfield sax solo which closes aforementioned "Midnight City", the list goes on. Even coming from M83, this album feels special. Highly recommended.

Hurry Up, We're Dreanming is released on 18th October via Mute. Below, stream "Midnight City".

"Midnight City"